#2 “Don’t Stop ‘Til You Get Enough” (from Off the Wall):
We’re in complete agreement with this cut dropping into out list at Number 2. Fusion 10.5 says he “loves the vocals,” but, for me, it’s the groove that makes this song work. From the very first bass note to Quincy Jones’ orchestra and horn arrangements to the percussion pushing the tempo, the song swings from start to finish. I consider Off the Wall to be Michael at his peak, so this is a close, close second on the list.