“Sometimes there were more than 27 voices,” producer Lou Adler said, “because on several occasions real brothers and sisters stopped by and grabbed a part. It sounds corny, but that was the spirit of the thing. The tape stopped, but they were still singing.”
Dylan was featured in two commercials during the big game.
We take a look at Dylan’s folk classic just as ‘Inside Llewyn Davis’ brings attention to the early ’60s folk scene.
The Nauts grew out of a casual studio jam session with the two artists alongside guitarist Charlie Sexton, his brother Will Sexton and drummer Brady Blade.
Seems like a lotta money to pay for a guitar that Bob obviously didn’t care alot about…
Here’s our guide to some of the seminal figures from the Greenwich Village folk music scene, which thrived in New York during the early 1960s and serves as the film’s setting.
The official music video for “Like A Rolling Stone” premiered today on Bob Dylan’s website.
Bob Dylan’s music publishing company recently discovered lyrics he wrote in 1967 for the sessions that were later released as The Basement Tapes (and widely bootlegged as Great White Wonder), and Dylan has given them to Burnett, who plans to “assemble a select group of contemporary recording artists in the famed Capitol Studios to complete the songs and record them as a band.”
In 1970, Bob Dylan recorded “Pretty Saro” six times for his Self Portrait sessions, but the song never made the album.
The AmericanaramA tour, featuring Bob Dylan, Wilco and My Morning Jacket has been a dream tour for fans of, well Americana.